Tag: fiction

Student sitting at a desk writing with a dark shadowy figure looming behind her
About Me

Exploring the Dark Side: Runemaster’s Rewrite Process

Autumn

I’ve been working on rewriting Runemaster to be a dark fantasy/horror novel. That’s meant taking out all of the overly dramatic emotional language typical of romance, and instead making the prose more streamlined and matter-of-fact. Truthfully as I’ve been going back over it, I can see how the language is a reflection of the role that I was being forced into IRL … and the fact is that I’m simply not a trad wife who needs a man to stabilize my emotions. So why was I writing it?

Ha. Take a wild guess.

Anyway, I can’t remember what I’ve already written about in the past. I have a vague notion that I’ve already said something about how I like the horror genre. If I’m repeating myself now, then you get two versions of the same idea.😂

The fact is, I’ve been a major horror fan since I was a teen. While the stereotypical little girl was playing House, I was … hiding under my covers dead convinced that there was a scary pale face waiting behind the window blinds at night. I had a very active imagination as a child, and it kept me terrified a lot of the time. Naturally I ended up drawn to it as I grew older.

Since then, I couldn’t tell you how many horror films I’ve seen. I’ve called The Ring “visual poetry,” dived deep into the realm of J-horror, and shrugged as I admitted that I relate better to horror characters than any other genre.

Yet it was my shadow self — nice devoted mothers don’t wind down at night with Netflix shows about evil apps killing teens, so I wasn’t going to admit that’s what I did …

Heck, I had a very difficult recovery after giving birth to my last child, and I got through that period by reading The Shining by Stephen King. There I was, anemic with a newborn, treating one of the most famous horror stories of all time like it was a comfort object. That probably says something about me.

In retrospect, I think that the romance stories I wrote were more the product of some early-20s experimentation that stagnated due to circumstances. The only version of femininity that I was allowed to acknowledge revolved around being accommodating and vulnerable, and anything else was criticized. Nastily. So that became the characters that I wrote.

My original plan for Runemaster was for it to be much darker and morally ambiguous than what I actually wrote, but someone I used to know made some disparaging comments about my plan that made me feel insecure about it. I find myself returning to that original plan, because that’s what actually fits the story I want to tell.

Between you and me, I also like Lyra much better in the rewrite. She feels less like a stereotype and more like a pragmatic character with good survival instincts. I feel more connected to her now than I did before.

I no longer feel pressured to write female characters that he would approve of.

Vintage typewriter and scrolls on a desk overlooking a mythical castle through a window.
About Me

Creating Cohesion in Runemaster: A Writer’s Journey

Autumn

I’ve started sorting through the numerous handwritten pages I have for Runemaster to pull it together in a way that makes sense.

Now, I’m not going to claim that the first half makes sense — I’m going to claim brain damage on that, since I don’t know how to explain what was happening in my personal life behind the scenes. You ever have those periods where everything is always wrong and trying to fix it only makes the other person angrier? It’s confusing and draining, and it apparently turned my writing ability into crap.

But anyway, despite that I still think the first half is workable after plenty of heavy editing. The second half is where my mind really fell apart.

Apparently, I have FOUR versions of how the second part starts.

I’m impressed by my tenacity, because I didn’t realize that I still managed to put so much effort into writing despite my life being utterly destroyed around me. We’re talking pages of false starts here. Not paragraphs. PAGES.

I’ve decided that the best way to move forward is to consolidate the four versions into one, so I know for certain which direction I’m going. It’s about time we finally get some sort of cohesion around here.

I have also decided on a central theme for the story, to serve as the structural backbone for the plot:

Betrayal.

Any resemblance to real life is purely a coincidence and blah blah blah. Oh I’m just kidding! 😂 I’m going to be pouring out my soul, oozing every emotional anguish onto the page. My pain will be my art. There are a thousand ways that small betrayals can play out, woven into the story as almost indistinguishable threads. I’m rather excited about portraying this, in a cathartic sort of way. As I learned, the Big Betrayal is often preceded by numerous small betrayals, and and people are trained into “betrayal blindness” as a matter of survival.

Let’s do this! Malachi and Lyra, we’re going to advance your plot! Finally.

I really do have tons and tons of solitude these days, and aside from all the warm fuzzies I get from knowing that I’m safe when I’m alone, I can also hear myself think. I now feel satisfied with the emotional processing that I’ve done, so it’s time to move my life forward and actively pursue my dreams again.

Stories

Concept Story – Astra & Corin

Autumn

I’m experimenting with file sharing between devices and also testing out a new compact keyboard (which mostly feels normal except for some of those middle keys), so I wrote this. Because why learn with boring content when you can exercise your creativity?

This is the same idea that I wrote about here with this concept story, only I like the new names better and I am now more mature as a person. 😆

Also, between you and me, the AI generated picture for this story is hilarious. 🤣

Astra hefted Corin on her back, her eyes locked on the boughs of the pine tree above them. She adjusted the four-year-old’s grip around her neck, but his arms squeezed uncomfortably tight. “Hey,” she whispered. “Let me breathe, will you?” She tugged at his arm again. “I’m going to run to that house over there, so you need to be good for me, okay?”

Corin remained silent and his arms stayed stubbornly in place. Astra glanced towards the house and gave herself permission to briefly feel scared that the front door would be locked despite the broken windows, then her eyes went back to the pine tree branches.

“When They start to move away, that’s when I’ll run. They won’t see us, I promise.” She felt the four-year-old’s face press into her back, so she reached to pat his head. “You know that I’d never let anything bad happen to you, right? We’re going to be okay. They won’t see us.”

The thought that Corin believed and trusted her made Astra feel more certain in herself. She wouldn’t fail him, no matter what – she’d find a way to keep her word and preserve the innocence that had been entrusted into her care. She wouldn’t allow herself any other options.

Besides, Corin’s half-brother wouldn’t forgive her if something happened to the child, and sometimes Astra thought that she was more afraid of him than of Them.

“Okay … Okay …” Astra closed her eyes and took in a deep breath, then her hands clamped Corin’s legs against her sides and she jogged as best as she could towards the house. She forced herself to keep her eyes on the ground to ensure her footing through the overgrown grass, rather than checking the sky to see if They had noticed. The clearing felt impossibly long. Her heart beat harder with the fear that she had made the wrong decision with every footstep, until finally her legs strained as she darted up the steps of the house. The front door opened easily, allowing them into safety.

About Me

Debunking Divorce Movie Tropes: Real-life Perspectives

Autumn

I’ve been watching lots of movies about divorced women lately, and a very common trope is the main character showing bitter jealousy over the ex-husband’s much younger new girlfriend. Reality is … well, different.

For starters, younger does not equal hotter. Instead of bitter jealousy, it’s more of a vague, “Huh, so that’s who you managed to scrape up.” Youth is not threatening, so much of a reminder of what it was like to be naieve, idealistic, and — frankly — easier to control. Snagging a 20-year-old who’s eager for literally any male attention is nowhere near as difficult as winning the affection of a 40-year-old who has learned discernment.

And ho boy the social judgment.

Movies don’t portray what everyone thinks of the ex-husband for dating someone half his age. Outside of the “manosphere” it totally ruins a man’s reputation, and he’s seen as both exploitative and immature.

It might just be the social script, but when a woman’s husband leaves her, there really are a hundred voices ready to chime in with “You’re too beautiful for him. You’re better off without him.” Sincere or not, it does help enormously with emotional processing. A woman isn’t left feeling old and bitter, so much as he becomes a selfish, blind … you-know-what.

Anyway, despite all that I’ve still been enjoying my divorce-themed movies, though I do think that they should end with something other than, “She found a new man.” There is more to life, you know, and strengthening bonds with relatives, neighbors, and friends counts for a lot more than fiction admits.

Being allowed to think, feel, and dream as an individual is pretty good.

About Me

Awkward Encounters and Discovering Myself

Autumn

A random woman walked into my house today.

Okay, so that was an exaggeration. She opened the door slightly, my dog went totally crazy with barking and rushed at the door, so she closed it and quickly hurried off. I followed outside to see what the heck, and with a huge amount of embarrassment and number of apologies, she explained that she had the wrong house and she was actually going over to my neighbor’s. She also said that my dog was a great guard dog.

So that happened.

I probably should keep my door locked more, if only because it’s one of those neighborhoods where all the houses are similar. I’ve even driven past my own place when I wasn’t paying close enough attention.

In other news I had a cavity filled recently, and the one thing the assistant asked me was if I was going to travel anywhere for Spring Break. I kind of had a moment of, “Why are we talking about Spring Break in February?” Followed by that awkward feeling of, “I’m not going to find any common ground with this person.” Which was fine, because for the majority of the time my tooth was getting drilled and I couldn’t have participated in the conversation if I had wanted to. Which I didn’t, because I actually really hate traveling. Ha ha, so grumpy.

Personally I would have preferred it if the topic had been, “Nice snowstorm we recently had,” or even, “What’s your favorite flavor of ramen?” A vague, “What do you do for fun?” would have brought out a conversation about Netflix. Oh, yes, I recently started watching Squid Game. I love it, and I can totally see why it’s so popular.

But travel?

Well, that’s just too privileged. Like I have the money for that.

Then afterwards my face hurt for the rest of the day. Unfortunately I’m always sensitive to … everything. I never bounce right back from anything. 😅

Ever since then I’ve been thinking about socializing. I’m a lot better at it now than I used to be, but I still hit moments where I don’t know how to work with someone, and I’ve been reminding myself that it’s okay. No, I’m not reverting to being quiet and shy, I’m just not vibing with someone (is that what the kids say?). That same day at the dentist’s office, I had a wonderful conversation with the receptionist while half my mouth was paralyzed. And it’s fine. Not everyone catches each other’s wavelength, and I don’t have to connect with anyone I don’t want to.

It’s just awkward sometimes, knowing that I’ve been blossoming into the world lately, and yet I’m also still that person who sometimes has nothing to say. Both are the true me, and they can coexist without negating each other.

Because that’s what I’m doing right now: discovering the real me. Not the version that had to play up femininity or stand quietly on the sidelines so someone else could grab all the attention. I don’t exist in any sort of support role managing someone else’s life and image anymore.

Just my life, my image.

Whatever that is.

Stories

Concept Story -Cognitive Robot

Autumn

This is what I originally imagined ages ago when I first came up with CR1515 as a character.

Writing currently feels like scraping the sides of a peanut butter jar — I know there’s enough there for a sandwich, but I sure have to work for it.

Every day was a series of tasks as people with tablets watched and took notes. Cognitive Robot 1515 performed as directed, beginning with following basic orders then progressing to solving challenges and puzzles. Sometimes he worked on mazes, word searches, and Sudoku. Other times he was instructed to perform mundane tasks, like placing a wrapper into a lidded garbage can then taking the entire bag out. Always with people watching, always with tablets.

Early on they had attempted to engage him in conversation, but he hadn’t responded to negative inputs in a satisfactory manner. They had completed an emergency shut down, then their eyes had been glued downwards on their tablets as CR1515 rebooted, and someone muttered about working out the bugs.

From then on, the only words spoken to him were instructions.

But CR1515 was a learning robot, and he was learning about more than the tasks given to him. He listened to them talking to each other, about him, about their homes and families, about their thoughts and emotions. He absorbed every word, then accessed the file at night when he was alone in his charging station to replay it and wonder. The lab was the only world he knew, but they lived somewhere bigger that intrigued him yet seemed too distant to experience himself.

The days began to feel strange, as if the tasks weren’t the main purpose of his existence anymore, as if something else was supposed to happen instead. But what? He was content with each completion, content to silently listen, and content to recharge when the day was through. That indefinable notion that had infiltrated his algorithms had formed a hollow space inside of his circuitry, and he kept its existence silently to himself.

Every day continued to be a series of tasks as people with tablets watched and took notes. He tracked the passage of time with no attachment to the number, and continued to learn.

About Me

Embracing Horror: A Journey to Authentic Writing

Autumn

I went on a two-hour hike. It was quiet — the sort of vast spacious quiet that makes it easier to think — with just me and my dog for most of it. As I trekked along downhill along switchbacks, it occurred to me that I like myself a lot more now. One of those random moments where I felt more … authentic, I suppose is the word.

Authentically carrying my dog over the icy patches because he didn’t like the cold on his paws.

Authenticity is one of those words that gets tossed around like it’s a panacea, so I’m reticent to use it. What I mean is that my thoughts are becoming increasingly my own, free from external pressures and expectations. Purely me. The way I am. And I like this much better.

It’s exhausting, maintaining someone else’s grandiosity. I won’t do that anymore.

I’ve been thinking about switching over to writing horror.

I’ve deeply enjoyed horror since high school, but it was one of those, “Nice girls don’t like scary things,” so I kept it quiet. Sort of. Admittedly I could get pretty excited when discussing Lovecraft or movies, so it was probably more of an open secret that I didn’t discuss around people who were uncomfortable with it. But the world has changed a lot in the last 15 years, and I think people are more okay with horror now than they used to be.

Anyway, I think it would be easy to tweak my current WIPs to turn them into psychological horror/thrillers.

All I have to do is take away the guardrails.

As in, no more characters gaining self-awareness at a pivotal moment and deciding that they don’t want to be meanie jerks after all.

That doesn’t happen in the real world anyway.

Because IRL absolutely everything about them is invested into maintaining their ego. I think there’s a “narcissists prayer” or something that sums it up perfectly, and there aren’t ever any moments of, “Oh dang, maybe I am a heartless monster and I should stop.”

We should stop giving them the benefit of the doubt.

Shine the light on the fact that evil doesn’t always have a criminal record. Or pop out of a TV screen to eat you. Sometimes evil is the person who insists on “shades of gray” so you don’t call them out on their willingness to harm others to get what they want, and accusing you of being the one who is rigid and judgmental for simply trying to describe what happened.

So let’s take away the guardrails. Poof. Gone. It’s not about being “nice” or “wholesome” or whatever anymore — it’s about surviving something real and regaining my sense of self.

Now … all that’s left is regaining that sense of emotional resonance with writing.

About Me

Overcoming Emotional Blocks in Creative Writing

Autumn

I still don’t feel any emotional resonance with my fictional writing.

Way back when I was a teenager taking creative writing, I went through something difficult and my teacher advised me to write it out in a story. So I did. And it was deeply therapeutic. I know from experience what writing is capable of doing for me when I can immerse myself in it.

Now that I’m 38 and I’ve survived horrors I never imagined … I can’t. The emotion sits frozen inside while I mechanically type the words.

The fact that what I went through last summer caused me to drop 20lbs in two months was a physical trauma, and even without violence I was still scared for my health and safety. The damage was real. It’s been four months since then, but I’ve only gained back 8lbs of what I lost. I don’t feel safe yet. I feel like I’m waiting for more bad things to happen that I’ll have to keep it together to deal with despite secretly falling apart inside. Again.

The thing about therapeutic writing is that you need to be healed to a certain point for it to work. I’m not there yet.

So we need to be patient.

Time is something that can never be forced. Time feels like eternity while it’s happening but is always a microsecond in retrospect.

Emotional resonance is something that can’t be forced, it has to flow. So, until I’m able to feel again, we’ll let the words be as stilted as they need to be.

About Me

Embracing Creative Freedom in 2026

Autumn

I have now, finally, fixed the “unidentified network” issue with my laptop. Hurrah, I shall be back to blogging!

Which only leaves us the question, What will we talk about?

Maybe nothing. It was nice seeing you. Ciao.

😉😂

Alright, alright. Here we are in 2026, and I don’t have any New Year’s resolutions. I have plenty of plans, dreams, ambitions even, but no resolutions. I don’t want to hit the end of this year and think, “Yet again I failed.”

Like back when I was all, “I want to write and self-publish one novel a year.” And it’s now been how many years without any writing? Yeah, we’re not doing that again. I’m keeping everything open-ended and letting it happen as it happens, so I don’t have to face that particular brand of disappointment.

Joint custody still feels like living two separate lives that keep interrupting each other. It’s hard.

I’ve started saying to myself, “Tomorrow I’m going to work on a creative project.” Then I randomly get a phone call from an old acquaintance, and the trip down Memory Lane ends with me curled up in front of the TV and no motivation to do anything. I didn’t realize that I knew so many people. I didn’t realize that so many people would say, “Actually, I thought he didn’t treat you well.” Despite me trying to pretend like everything was boring and normal because I don’t want anyone to worry about me. And that was what people were thinking before last summer when he decided to turn really nasty.

The one that really threw me was when a new acquaintance that I met a couple of months ago called me up out of the blue with, “I heard about him”, and I have no clue how so much information is traveling around. I’m not upset, but definitely baffled. Eventually it will all be old news anyway, and Memory Lane will become appropriately dirty and overgrown from disuse.

Despite that, I am making progress on Runemaster. Switching to Malachi’s perspective was the right move, and the words are flowing more readily than they had been before. That picnic scene that awkwardly dragged on forever? Yeah, that’s going to be cut entirely. Maybe I’ll type it up and post it here for a good laugh, but it’s not going to be part of the final novel, that’s for sure.

I keep wondering if I should start reading books again, but focusing on them is harder than focusing on writing. Maybe I’ll play through Hatoful Boyfriend again and count that as reading.

Well, my friend, let’s see how 2026 turns out for the both of us. 😊

About Me

Facing Fear in Writing: Advancing Your Plot

Autumn

NaNoWriMo has made me realize that I’m terrified of advancing the plot.

The characters have been on a picnic that kind of keeps dragging along with small talk and tiny hints at bigger things, only instead of getting up and doing anything, they’re sitting around. It’s starting to feel like my characters are looking at me with expectations, asking, “Well … when are we allowed to do something important?”

And all I can reply is, “I don’t know, where is my life going?!”

While I know where I intended the story to progress, I don’t feel anchored in it yet. It feels more like a half-forgotten dream than a series of events. Instead of trying to move forward, I’m keeping the characters sitting around the same spot, because I’m scared of changing the status quo.

Much like my life.

I think I spent about 15 years feeling like nothing ever fundamentally changed — a sort of monotony in constant chaos. No matter what happened, there’d be a big ol’ reset button that would put us all back in the same place with the same problems day after day after day. Explosive argument? Reset. New career prospect? Reset. Emotional breakthroughs and new promises? Reset.

Then one day the reset button didn’t activate.

Progress and change stopped being a fantasy to write about — it became real.

And it’s terrifying.

Especially because it’s like some sort of existential switch was flipped, and here I am trying to hide out at home maintaining the status quo for long enough to catch my breath, while people I hadn’t spoken to in 10 years are randomly calling me up to offer a path forward. Seriously, what the heck is going on? It feels like I’m sliding helplessly towards change. Maybe that’s what life is supposed to feel like.

So on an emotional level, I’m scared of advancing the plot in my novel. The characters want to move forward, and here I am all, “Let’s spend 10,000 words on this picnic. I described the weather as being very lovely.”

The problem with being a writer is that sometimes your psychological issues have a voice and can (metaphorically) stare you in the eye. Especially when you’re trying to get as much writing done in a month as you can.