I’ve been working on rewriting Runemaster to be a dark fantasy/horror novel. That’s meant taking out all of the overly dramatic emotional language typical of romance, and instead making the prose more streamlined and matter-of-fact. Truthfully as I’ve been going back over it, I can see how the language is a reflection of the role that I was being forced into IRL … and the fact is that I’m simply not a trad wife who needs a man to stabilize my emotions. So why was I writing it?
Ha. Take a wild guess.
Anyway, I can’t remember what I’ve already written about in the past. I have a vague notion that I’ve already said something about how I like the horror genre. If I’m repeating myself now, then you get two versions of the same idea.😂
The fact is, I’ve been a major horror fan since I was a teen. While the stereotypical little girl was playing House, I was … hiding under my covers dead convinced that there was a scary pale face waiting behind the window blinds at night. I had a very active imagination as a child, and it kept me terrified a lot of the time. Naturally I ended up drawn to it as I grew older.
Since then, I couldn’t tell you how many horror films I’ve seen. I’ve called The Ring “visual poetry,” dived deep into the realm of J-horror, and shrugged as I admitted that I relate better to horror characters than any other genre.
Yet it was my shadow self — nice devoted mothers don’t wind down at night with Netflix shows about evil apps killing teens, so I wasn’t going to admit that’s what I did …
Heck, I had a very difficult recovery after giving birth to my last child, and I got through that period by reading The Shining by Stephen King. There I was, anemic with a newborn, treating one of the most famous horror stories of all time like it was a comfort object. That probably says something about me.
In retrospect, I think that the romance stories I wrote were more the product of some early-20s experimentation that stagnated due to circumstances. The only version of femininity that I was allowed to acknowledge revolved around being accommodating and vulnerable, and anything else was criticized. Nastily. So that became the characters that I wrote.
My original plan for Runemaster was for it to be much darker and morally ambiguous than what I actually wrote, but someone I used to know made some disparaging comments about my plan that made me feel insecure about it. I find myself returning to that original plan, because that’s what actually fits the story I want to tell.
Between you and me, I also like Lyra much better in the rewrite. She feels less like a stereotype and more like a pragmatic character with good survival instincts. I feel more connected to her now than I did before.
I no longer feel pressured to write female characters that he would approve of.


