Trading Yesterday – The Beauty and the Tragedy
An author's collection of thoughts and stories
Once, during a particularly stressful point in my life, I decided to get drunk. I chose an evening when I was alone and not likely to be disturbed, and settled in with my favorite bottles. After four shots of sugary liqueurs, my stomach called it quits.
I spent the rest of the evening hunched over the toilet.
I wasn’t miserable at all. It actually felt cathartic, to purge out all of the sorrows that I had endured in such a dramatic fashion. It was the only time I’ve ever experienced peace while vomiting.
Now, on those good days, when I can crank out over a thousand words in a comparatively short time, feel the same way: a cathartic purge. Those days help give me serenity and sanity with everything that follows.
Those days keep me writing.
I have an extraordinarily loud inner voice, and I took it for granted that everyone had some sort of private dialogue with themselves, until I found out differently a few months ago. Read the title of this article, which says all you need to know. I still struggle with the idea, but it also explains why so many people have assumed that if I don’t say my thoughts out loud, my thoughts don’t exist.
I started off extremely shy, and once I was labeled as quiet, no one wanted to hear anything I had to say. However, that didn’t mean that I possessed an empty mind, so I’ve spent most of my life telling myself all of those thoughts that no one else ever bothered to listen to. In many ways, I was my only confidant during my formative years, and I suppose that my chatty brain is the natural consequence of that.
I often have a monologue going on in my brain. It doesn’t matter if I’m sewing or washing dishes, I’m always chattering away with myself in my head. I can even talk to my own fictional characters as if they were real. It’s one of those things that I don’t tell most people about, since they aren’t very likely to understand — I’m sure that a psychiatrist would have a field day with me.
Ultimately, that’s why I write: the Voice has to go somewhere. That’s also why I feel compelled to self-publish, instead of keeping my stories hidden away on a flash drive somewhere. At the end of the day, I’m still human, and I still want to feel like someone hears me.

My first exposure to the idea of two guys chasing after one woman was the TV series Christy. My mom watched it, and some years later when the movie, Choices of the Heart, was released, I was excited to watch it with her. I was partial to the reverend David, and found it disappointing when (SPOILER) Christy married Dr. MacNeill instead. C’mon! I didn’t like him at all!
Later, I realized that most love triangles have a clear winner early on, and the second guy is mostly just emotional gratuity.
In real life, the closest I ever came to unwillingly becoming the subject of attention from multiple guys ended so horrifically that it was a full five years before I associated with any non-family males again, and earned me the branding of “cold hearted bitch.” It was scarring.
As a married thirty-something, love triangles don’t do it for me. All I needed was The One, and I enjoy stories about people finding their One too, so I can reminisce and appreciate how lucky I am with my husband. It’s easy to spoil happily-ever-afters by wondering what would have happened if you had married a different guy.
I don’t pick teams or giggle when my guy scores points over the other one. I don’t eagerly tune in day after day to see which man the main character will choose. Despite the popularity of love triangles, I just don’t like them. I see them as a good way to alienate others and get hurt. Not fun. Not romantic. No thank you.
I’ve been watching ‘Murder, She Wrote‘ in my downtime, and I’m currently halfway through season 2.
Occasionally I think that the main character, Jessica Fletcher, is too trusting. She hands high-priced items over to the police without ever once suspecting that anything less than honorable will happen to them, and she openly talks about her suspicions and plans to whoever happens to be nearby.
Of course, since it’s a TV show, she always has everything lined up perfectly whenever the bad guy tries to do bad things, and the day always ends with justice prevailing.
It annoys me deeply. Irritates. Vexes. Abrades. Perturbs. Etc.
Perhaps it’s a generation gap, or simply all too telling of many of my own experiences, but the amount of open trust without any negative consequences strikes me as implausible and naive. I want to grab Fletcher by the shoulders and shout, “KEEP YOUR MOUTH SHUT!” The world is a dark and evil place, and there’s a murderer in your midst. Keep your wits about you, and maybe if you’re lucky you’ll survive into the next episode.
But that’s not the world portrayed in the series. That world is comparatively innocent and unrelatable for me.
That said, I do very much enjoy the episodes about writer culture. Them’s fun.
It always feels a bit strange when I draw from my real life with my stories. I never include the Big Stuff; truth be told, I have a possessiveness over my experiences that lends itself towards secretiveness. Barriers, and all that.
Hey, if I was perfectly well-adjusted, I wouldn’t be a writer!
Often, I’ll be out and about, see some curtains that I think are beyond gorgeous, and make a mental note to use them the next time I ever need to describe curtains. Is it deep? Not remotely. At the very least, reading my books will give you a good idea of my tastes in fashion and home decor.
You will not, however, get any sort of autobiography about my life.
Barriers, and all that.

I’ve mentioned before that I write all of my rough drafts by hand. One of the benefits of doing this is that ink is permanent, thus effectively neutralizing the urge to edit as I go. My main focus with my rough drafts is getting the story down on paper with as little critical thinking as possible.
I’m a firm believer in the power of editing and let quite a lot slide through in my rough drafts, but every now and then I do write something that’s so bad, it grinds the story to a halt. Sometimes it’s necessary to rewrite as I go, just to keep the story progressing. I average rewriting about five pages out of a hundred, which is more a testament to how forgiving I am than anything else.
Since transcribing onto the computer is an eventual necessity, that’s where I do the bulk of my rewriting. That’s when I start to think, “How can this be better?” I usually end up rewriting about 90%.
Ever since I started cleanly separating the steps of writing and rewriting, I’ve been able to finish books, rather than collecting files of unfinished beginnings.

I majored in Creative Writing during my stint in college. In one of my regular English classes, that focused on teaching grammar of all things (who does that?), we had a published author come as a guest speaker one day. After class, offhandedly, he commented, “Majoring in Creative Writing is the worst thing you can do as a writer.” He advised me to switch majors immediately.
I can’t remember his name or the title of the book he wrote. Shame, really, because that was probably the best advice I’ve ever gotten.
If you’re on this journey, don’t read books or websites that teach creative writing. Just don’t.
Learn grammar. Learn what prepositions and interjections are. Watch School House Rock. Internalize it. Use it all the time, even when texting. Embrace being seen as snooty. Words are your medium, and you need to understand how to use them correctly. Just don’t turn into a “grammar nazi” who compulsively hyper corrects everyone else — people hate that. Part of the rich complexity of English is that it can, and often does, accommodate oddities and mishmashing, so learn how to use that effectively.
Read non-fiction. I particularly like self-help books, as they tend to be a rich reservoir of foibles and psychology, wrapped up in layman’s descriptions that are easy to understand. And hey, if I happen to also benefit from it, all the better. These sorts of books will give you a better understanding of how to create realistic characters than worksheets ever will.
And of course, research your genre. Don’t write a Highlander romance based entirely off of all the other Highlander romance novels you’ve read; find a history book about Scotland first. This is especially important if you are writing in one of the realistic genres; its easy to alienate those who could be your most loyal fanbase if you completely misrepresent their field.
Finally, practice. Write all the time. Write about everything. Write and rewrite. Write. Write. Write. Compose stories in your head while you’re at the dentist or driving in your car. Don’t start judging anything until the 2nd or 3rd drafts; instead, enjoy the flow of creativity. Just frickin’ write!
You’ll learn far more than Creative Writing classes will teach you.
I look at Pinterest when I’m too tired to function, and the site is always eager to suggest infographics and articles about how I should be writing; everything from tips to make scenes more emotional to character questionnaires.
If there’s one thing I hate, it’s being told that I have to follow a formula.
Ages ago, I didn’t want to go to college, but everyone told me I had to if I wanted to have a future. Two years in, I was so badly burnt out that I cried every morning when I got out of bed. Then one day it hit me: I didn’t have to be there.
I dropped out, got a full time job, and rented my own apartment. Complete strangers had a meltdown over my actions. Didn’t I care about my fuuuuture????!!!
Meh. I was happier. I met my husband during that time period.
And yeah, so life did get crappy when the job market crashed. Having a college degree wouldn’t have saved me from that, however, and experience isn’t a bad thing. I didn’t cease to exist, and I learned how to really appreciate life. I like who I am now, scars and everything.
Unfortunately, formulas seem to make a lot of people happy. You know, guaranteed results in three easy steps! If you follow the formulas perfectly enough, you’ll be rich and famous. And my knee-jerk reaction is: you can’t tell me what to do! I make my own paths.
When I create characters, I don’t fill out worksheets. I give them names, ask them, ‘what makes you tick?” then listen — that’s the important part. It’s chaotic and unpredictable. It doesn’t follow any rules. It’s fun.
I can’t guarantee results. Heck, other than really enjoying myself as a writer, I haven’t seen any myself! But you know what I’ve learned? It’s the journey that counts.

It’s been one of *those* days, so I’m going to leave you with this.