The Scion Suit

Concept Story – Hartmann

I wrote this a few months ago as part of The Scion Suit, but I’ve decided that I won’t be using this scene in the final version after all.

Hartmann sat at the bar, his hand lax around an untouched glass of scotch. A woman sat next to him, chittering nonstop, although he wasn’t listening to a word that she was saying. He was staring at her lips, studying the neatly applied red lipstick with a crisp outline and a perfect cupid’s bow, and his gaze had the woman giddy.

Carol’s lips had been pale and dry. She had been too shocked to react the moment his mouth touched hers, but he had expected that – Carol was the sort who hadn’t kissed anyone in years … if she had ever kissed anyone at all. He had taken his time and moved slowly to keep from overwhelming her, feeling the change in her breath as her eyes had closed and her chin lifted up.

Afterwards, Hartmann had told himself to stop pursuing Carol, before she damaged his ability to touch another woman. He had rounded up a couple of his guys to head out for a night of fun, but now that he was there, he found that he couldn’t engage. He couldn’t stop thinking of Carol.

Her lips had been vulnerable and responsive. Somehow, with very little movement, they had begged him not to stop, and he knew that Carol hadn’t been internally counting down the seconds till she could move on to the next step. He had felt wanted.

The woman sitting next to him, with the perfect lipstick and low-cut top didn’t want him. To her, he was no different from any other man, and if he didn’t pick her up, then someone else would. The cheap, meaningless pleasure that she offered held no appeal in contrast to what he had tasted with Carol.

She stopped talking and leaned close to him with her eyes half closed, and Hartmann couldn’t stop himself from jerking back with a disgusted look on his face. The woman snatched up her purse as she cussed at him, then stormed away, and he finally took a gulp of his drink.

Sergeant Brown sat down next to him in the woman’s empty spot, ordered two more drinks, then studied Hartmann for a moment before asking, “What’s up man? I’ve never seen you so far out of the game.”

Hartmann remained silent, but finished his scotch and set the glass back on the bar, where he traced the circle of the rim with his fingertip, remaining deep within his thoughts.

“If you keep bombing this badly, I’m gonna start thinking that you’re hung up on some bitch,” Brown added after a moment.

Hartmann didn’t really want to talk about it, but the idea of Carol being referred to as ‘some bitch’ galled him – a lot more than he’d expected it to. He glanced over at Brown with a scowl, then back at his glass. “She’s not a bitch,” he muttered quietly. “That’s the problem.”

“Oh come on, man,” Brown snorted derisively. “That just means you’re the one getting played.”

“Nah. She’s way too pathetic for that.” Hartmann couldn’t stop the small smile that twitched at the corners of his mouth. Despite his choice of words, he didn’t intend it as an insult – it was something about Carol that made her irresistibly endearing to him. In the moments when he wondered how she had managed to survive on her own in her former life, he also deeply wanted to be there for her in the future.

“Hell, I don’t believe you.” Brown waved his hand dismissively. “Women only care about themselves, money, and orgasms.”

That made Hartmann laugh. “This one is different, and now I’ve got to prove that I’m not full of shit.”

Brown drained his glass and set it down as he asked, “To me, or to you?”

“Both,” Hartmann replied, then signaled the bartender over for a refill.

CR1515

Musings on CR1515

Somehow I’ve managed to write over 10,000 words for CR1515, despite feeling tired and busy with the gazillion things that always happen at once, and I still haven’t found the proper flow for the story. Not 100% settled in to it yet.

I can’t help but wonder if I should dial back on the philosophical ranting and put in the effort to submarine it more, but it probably doesn’t matter. People can be shockingly oblivious to what’s right underneath their noses, so I might as well slap a fancy border on it and proudly display it.

The fun part about the Aurora/CR1515 pairing is that they argue A LOT more than any of my other main couples. The fireworks are a blast to write (har har), which is probably how I’ve managed to do as much as I have, despite being excessively busy/tired with a gazillion things. We have stubborn pride going up against unyielding stances, in a scrumptiously confined space. What’s not to love?

Just wish I could find the groove for this story.

About Writing

Romance

In the vein of, “Everyone else is doing it,” I tried thinking of some books where I enjoyed the romance/couples/literally-anything-emotional, and I came up with nothing.

OMG I am so cranky.

At which point I realized that I actually have ZERO interest in the idea of ‘love’ for its own sake; might as well read about someone and their anime body pillow for all the difference it makes. Throw in the fact that everyone writes female characters as psychotic self-absorbed bitches, and you basically have the reason why I can’t name any romance novels that I like enough to recommend.

So there you have it: Don’t bother reading books. They all suck.

LOL

The thing is, I often feel like a hopeless romantic trapped in a world where romance has been deliberately slaughtered — of course I don’t enjoy it. Why would I? It’s all just pointless nihilism because nobody knows how to genuinely connect with another human being anymore.

For now, I’m content to sit inside my own little bubble, occasionally sending out the message, “It doesn’t have to be like this,” with the knowledge that even a butterfly’s wings can have a huge impact on the world.

CR1515

Prewriting – CR1515

The fun part is, I first came up with the idea of “CR1515 the robot” clear back when I was a teenager … like, 20 years ago. XD

The easy vocalization of his name is “Crisis.”

He is quite literally “above it all”, living in a space station where he continuously monitors everything that happens on the planet below. He’s existed long enough to watch humanity decline into fatalistic complacency, and he knows that a large part of that was due to his presence. The story starts when he decides to step back and let people figure out how to take care of themselves without him.

However, when Aurora unexpectedly shows up at his door, a new plan forms in his mind.

CR1515 is the most straightforward character, to the point of almost being one-dimensional in his clarity of purpose, and he functions more like an anti-hero/villain in the role he plays.

His big secret is that he was born human, and is closer to a cyborg than a full robot.

About Me

Women’s Fiction

Aye, it’s good,” he said, handing the goblet back. “It’s also double strength. Colum takes it at night because his legs pain him. How much of it have you had?” he asked, eyeing me narrowly.

“Two, no, three glasses,” I said, with some dignity. “Are you implying that I’m intoxicated?”

“No,” he said, brows still raised, “I’m impressed that you’re not. Most folks that drink wi’ Colum are under the table after the second glass.”

-Outlander

I don’t typically read books written specifically for a female audience.

Because they make me feel bad.

Emotionally.

For example, the above quoted scene from Outlander, where the main character holds her liquor better than most men. High five, girl power, etc, etc, etc.

But me, being a real woman in real life, can’t handle booze for the life of me. It’s a bit of a joke between my husband and me, but the one time I attempted to get drunk, I ended up hunched over the toilet pretty quick. I based this scene in The Scion Suit off of my irl experience.

And, of course, the fact that I’m usually pregnant or nursing means that I’m borderline teetotaler anyway.

Back to my point: the female characters in per se “women’s fiction” are completely and thoroughly unrelatable to me.

I don’t have any fantasies about being able to out-drink a man … I don’t understand why one would want to. I don’t want to show anyone up or cut anyone down, because, well, that’s mean. I don’t like hurting people.

I’m not ambitious, and I don’t want to slave away for the sake of some job. I like having the freedom of dressing like a hippie and going to the park on the spur of the moment. I’m terrible at handling external pressure, and numbers never meant much of anything to me.

I like the color pink.

Yet if one were to go off of books, movies, TV, video games, etc, women like me don’t exist. Wow. Fantastic. I feel so accepted.

“Target audience: women” doesn’t include me. In fact, it seems to go out of its way to deliberately exclude me.

Why am I not allowed to read about relatable female characters? Why must I always feel like society is out to punish me for not living up to its expectations? Why am I not allowed to just be myself?

Sometimes I wonder if it’s gotten to the point where most women feel alienated in one way or another.

Or maybe it’s just me.

CR1515

Prewriting – Aurora

Aurora is essentially the “perfect woman” in the context of the society she lives in. She skipped high school entirely and went straight into university, so at only 20-years-old she’s already an accomplished data analyst. She’s savvy about taking care of herself, and is drop-dead gorgeous to boot.

The artifacts were her project. She discovered their existence while researching something or other for one of her classes, and met Talon in pursuit of them. Through working together, they decided to become “engaged to be engaged” lol.

Her hope was that with utilizing the artifacts, humans would be better able to protect themselves against the increasing numbers of killer mecha that pop up and wreak havoc. However, her plans still ultimately relied on CR1515 to destroy the mecha, because it never occurred to her that humanity’s protector might not come through.

Although smart, she struggles with thinking outside the box.

She agrees to become CR1515’s companion and live in the space station with him, and while she’s emotionally conflicted about it, she sticks to her word.

Books

The Woobie

I’m currently forcing myself to read Outlander for research purposes. Not doing a real review on it given that I’m not remotely the target audience for the novel, but I do enjoy ranting about it.

The love interest, Jamie, is way too much of a woobie for me to like him on any level. He shows up injured, proceeds to get shot, then is given a good thrashing — all within a few chapters. In the meantime, his dialogue seems to revolve entirely around some horror story from his past, with plenty of scars covering his body to prove it (naturally the main character is there to tend to his wounds and listen sympathetically).

A story with the Woobie allows the audience to vicariously experience relief from some pain by fantasizing about relieving the Woobie’s pain. … Woobification can also tie into a disturbing hurt/comfort dynamic, in which fans enjoy seeing the Woobie tortured so they can wish the hurt away.

TV Tropes

Not my cup of tea.

On any level.

I actually find it a little sickening.

Perhaps it’s a generational thing, given that Outlander was originally published in 1991, but I can’t help but look at Jamie and think that he’s so pathetic, he wouldn’t do anyone any good in a post-2020 world. Like, if there was only one package of toilet paper left in the entire city, and Jamie had a family counting on him to come through for them, he’d probably get hit in the eye and be left completely incapacitated, thus failing miserably. Ain’t got time for that sympathy crap in this society. Toughen up, dude, and learn how to take care of yourself.

I prefer men who are capable of protecting babies against hordes of zombies during the apocalypse. Just sayin’.

CR1515

Prewriting – Talon

Expounding on this concept story.

The big question for Talon was, “Should he turn out to be a jerk?”

Having him be the meanie antagonist for the story would be comfortably in the realm of familiar — a sort of “Gaston” figure from the Disney’s version of Beauty and the Beast. Mind you, tropes aren’t bad; people like to have familiar and new concepts evenly mixed in their entertainment, so this was a perfectly valid option.

But I didn’t really like the idea of Aurora being betrothed to (and working closely with) someone who was bad — she’s smart enough that she’d notice if he was possessive and angry under the surface, and independent enough that she wouldn’t be in a relationship with him if that was the case. I decided instead that Talon should be a decent guy in the context of the world they live in.

So, I flipped the story.

Talon will take the place of the tragic hero, who’s girlfriend is kidnapped away and he has to desperately seek her out. CR1515, in turn, is the villain who arrogantly looks down on humanity and does what he pleases.

Except not really …

Because things aren’t always black and white.

About Me

Mary-Sue

I decided to read Outlander for research purposes, but since I’m not remotely the target audience, I’m not going to review it. Instead, I will tell you that I’m really struggling to get through the book.

Outlander is classic Mary-Sue fiction. As in, the main character is an orphan, but instead of carrying any deep emotional scarring over the loss of her parents, she grew up traveling the world and going on all sorts of adventures with her uncle. Wheee!

It goes downhill from there.

Naturally it leaves me, someone with a traumatic backstory, absolutely nothing to relate to. Actually, I find it quite triggering. Do other women really have someone constantly swooping in to protect them from everything unpleasant? Why was I never so fortunate?

Cue the accusations of being self-centered and making everything about me.

Given that Mary-Sue is one of the most popular sub genres of romance, I can’t help but wonder if I really am that much of an anomaly. Where are the fictional characters that are like me?

The villains in horror novels, I’m sure.

This massive disconnect is the reason why I write the sorts of things that I write. My productivity is so slow in the winter because January is my “traumaversary” month — the event that permanently robbed me of my ability to write PG stories, so to speak. I have a darkness inside, and while it prevents me from relating to most people, it is also why I appreciate the things that everyone else takes for granted. You learn to live in peace with your demons.

Anyway

I’m not sure if I’ll actually make it to the end of Outlander, even for the research purposes. It just feels too juvenile and naive for me to stomach.

About Me

What I’ve been up to

I do feel bad that I haven’t been posting more of my fiction writing for the past several months.

At this point, I’ve got half of The Scion Suit written, which I’ve decided to expand from a novelette into a branching, multiple-possible-endings novel. Unfortunately, with the fact that the reader gets to periodically choose which path to go down, I haven’t the slightest idea how I’d go about posting it on a blog.

Not to mention, I’ve reached the part where I planned to switch over to MSG Hartmann’s perspective, only I’m not in a state where I can readily get into a masculine frame of mind. I’ve decided to put it off until after the arrival of baby #6, so I don’t have pregnancy hormones affecting what I write (though I still plan on publishing The Scion Suit in 2022).

In the meantime, I’ve started working on a different idea, which is a lot more feminine with plenty of emotional drama. The catch is that this one is so securely rated M, I don’t know if I should post it as I work on it, or wait to officially publish it.

I’m not entirely sure if I’m using the sex scenes to distract from the philosophical rants, or vice versa. They both get pretty heavy, lol.

I’m going to be honest: progress is slow. Winter is not remotely my most productive season when it comes to writing, so even if I decided to post this new story with all the juicy bits cut out (and by that I mean the philosophical rants), it will still take some time to get to that point. By which I mean … February.

IDK I’m compulsive LOL