Category: About Writing

About Writing

Exploring Sci-Fi While Mothering: A Creative Journey

Autumn

Last year I decided to crochet amigurumi toys for the kids to help knock down my yarn stash, and they all excitedly picked out which ones they wanted from my pattern book. I got about three-quarters of the way through the third one when I hit burn out on the single crochet stitch, and decided to take a break.

I finished knitting my new baby blanket a couple of days ago, and decided that my next project should be catching up on the promises I’ve made to the older children. I finished amigurumi #3, and have started the prep for #4.

The fun thing about #4 is that I don’t have any of the requested colors on hand, but I do have plenty of cotton yarn and dye. So, I measured out some skeins and currently have them curing in dye.

Anyway, you can basically extrapolate from there what my daily life is like — a swarm of kids, and an adoration of creativity that goes quite deep.

Which is why I think it’s funny that I’ve started writing sci fi.

I don’t have any interest in owning “smart” soap dispensers or smoke detectors; I don’t see any use for them — aside from secretly hosting rogue AI hiding from human knowledge on the internet, anyway. But, you know, existing as a flesh entity, there’s no point in me owning a soap dispenser that runs on electricity when I can have more fun spending money on crafting supplies.

Heck, I’ve spent the last few months loving my antique spinning wheel. In terms of technology, I’m practically moving backwards with my personal habits.

Yet, I’ve been discovering that sci fi lets me explore more philosophical topics inside a world that is still very relatable to what we live in, and I’ve been discovering potential ideas that exceed what I felt capable of when I was writing fantasy.

As for the technology, I don’t have to expand that much outside of what we currently have — we all know it’s only a matter of time until Amazon starts using drones to make deliveries. The rest can easily be waved away with “technology magic, lol, :smiley emoji:.”

About Writing

Crafting

Autumn

I’ve been posting more of my crafting recently, even though this is my author blog.

Why?

Because it’s part of my process.

You see, we are multi-sensory creatures, and it’s been thoroughly proven that activities like fidgeting and pacing are soothing and help the mind work more effectively. Instead of sitting with silicone push-pop toys, I’ve opted to work on handicrafts to keep me busy. What can I say? They make me feel good about myself.

When you feel mentally blocked, work with your hands to get the creative ideas flowing again. Honor and respect the mind-body connection, and don’t underestimate the power of physical movement.

My major secret of productivity is that every time I sit down and take a break, I reach for my current crafting project. That’s all. Sometimes I think about my writing as I work, and sometimes I just want to meditate. Usually, by the time I put the kids in bed, I have an idea to write down.

And remember, it’s not about speed, it’s about persistence.

Bonus, I have a lot of neat stuff that I’ve made.

About Writing, The Scion Suit

Hartmann

Autumn

We’ve finally hit December.

This year has been very draining for a number of reasons. I don’t even want to get into them, because of the overwhelming, “Ugh, just get everything over with already,” feeling that comes with them.

So, along the lines of Things That I’ve Been Thinking About….

Mandatory Exposition: I wrote The Scion Suit in 2019 as a response to a Reddit writing prompt, and it ended up becoming mildly popular, etc. This year, I’ve been working on an expanded version of it.

Given the circumstances of when I originally wrote the story, MSG Hartmann’s character ended up being regretfully underused. I wrote some other thoughts about that. With rewriting and expanding The Scion Suit, I’ve had a lot more time to further develop his character.

At some point during the last several months, I decided that Hartmann coped with the stress of military life through womanizing (specifically PUA), and it’s had a rather interesting effect on his overall characterization.

In 2019, I wrote, “Brooding, he hung around to watch Carol work on his beloved Suit, and his heart stung with jealousy when he saw how tenderly she touched the metal. When she opened it up to wipe down the leather interior, he couldn’t stand it anymore; it was worse than walking in on a spouse in the thralls of another lover.”

But, this new course in characterization has resulted in a fundamental shift.

Instead of feeling possessive ownership over the Suit, Hartmann instead sees himself as The Other, who has no choice but to return the Suit to its loving spouse (Carol) after every excursion. He uses the Suit, but he knows that he doesn’t belong to it — which adds an element of pain to his actions and motivations (and all that jazz).

His development and redemption now involves learning to see himself as a person worthy of an actual relationship and future goals, instead of simply being a military puppet with zero long-term prospects.

But he still has to give up the Suit in the end … because of the aliens… >.<

About Writing

NaNoWriDon’t

Autumn

I’m going to go ahead and say this again: I don’t NaNoWriMo.

This is the wrong time of year to put the pressure on.

You see, I’m one of those weirdos who has a family.

I’m currently designing children’s clothing and shopping for fabric, I’ve got Thanksgiving to plan out and execute, which will be shortly followed by preparing for Christmas … and Animal Crossing is a mere 3 days away from a major update. I don’t have the time or energy to write 50,000 words this month. Or next month.

Instead of trying to write a novel as fast as possible, I’m a huge advocate for creating sustainable writing habits all year long. It’s important to have the space to live and breathe as a person, as well as the time for ideas to fully mature before they’re set down into words.

Frankly, NaNoWriMo is another aspect of a Fast-Food culture where everyone wants instant gratification at the cost of quality. Let’s face it: people are going to churn out something derivative this month, then spend the next year flogging it to death on social media to extract out as much money as possible from mindless consumers. Rinse and repeat.

So go ahead and spend the next four weeks furiously rewriting someone else’s ideas — I’m perfectly aware that nothing is going to stop you.

About Writing

Embracing Romance: Breaking the Stigma Around Love Stories

Autumn

A few months ago I wondered if I should pull back on the romance label to help broaden the appeal of my writing, but recently I saw a youtube comment (on this year’s overtly capitalist re-imagining of Cinderella of all things) about how women are constantly attacked and shamed for liking romance.

I thought about my own personal experiences, how I was treated like I was too stupid to appreciate more sophisticated story lines, and how I was told repeatedly through my childhood and teenage years that I needed to settle on a career because no one was going to find me lovable. Not to mention, the frequent accusations of romance novels being nothing more than porn …

So I decided that the world needs to change. What I went through is messed up, and society needs to stop inflicting that on women and girls.

And I can’t change the world if I don’t own the fact that I write romance novels.

I love romance. I love deep emotional connections. I love happily ever afters.

This is a subject that I have researched and lived, and despite romance being considered a “stupid” genre, it takes an enormous amount of knowledge and skill to write emotionally engaging relationships that don’t fall flat.

A good romance novel is inspirational.

I’m not going to downplay the nature of the novels I write. I’ve already endured an enormous amount of criticism for being who I am, so there’s no reason to back down now.

About Writing

Why Readers Interpret Stories Differently

Autumn

There’s some famous micro-story that goes something like, “Baby shoes for sale. Never used.”

As a mom, my immediate thought was that the parents forgot about getting the shoes because they were sleep-deprived, and the shoes ended up buried at the bottom of a drawer during the week the baby was the right size to fit into them — I have all sorts of baby items that were never used for that very reason. Heck, I was rather shocked when I realized that most people were so morbidly eager to mentally kill the baby based on so little. Ya sickos.

Writers cannot control what the readers imagine and assume while they read. They can appeal to the mainstream and draw on the experiences that people try to conform themselves to, but there’s always going to be someone who takes away something different.

I recently watched a movie, where some guy was wondering whether or not he was engaged to the right woman. Some other man decided to chip in, and talked about how he had been married for over 20 years, then went on to tell about how long ago he had met the most perfect woman ever and fell madly in love right there and then, but then was separated from her a couple of days later. The first guy was like, “So how did you find your wife again?” and the second guy replied, “I didn’t. That woman isn’t my wife, but I always think about her.” Cue sentimental music.

And I was like, “Wow. You are a horrible person for forcing your wife to live in the shadow of a fantasy for over twenty years, instead of appreciating her.” I definitely didn’t take away the message that I was supposed to.

I read reviews for books, and often see wildly different reactions to the same story. Where some people see virtue, others see emotional blackmail. Where some see strength and empowerment, others see discrimination and marginalization.

For me, that’s part of the magic of writing: everyone experiences the same story differently.

I think that it’s something writers should embrace.

Instead of seeking singular control over everyone.

https://www.youtube.com/watch?v=2_2lGkEU4Xs
About Writing

TSS and leaving the planet

Autumn

In this post, I discuss spoilers from The Scion Suit. If you haven’t read it, I highly recommend that you click the link and enjoy some free reading.

Alrighty

With my new multiverse expansion of The Scion Suit, I’ve written timelines of Carol getting into a relationship with either Captain Lambert, or MSG Hartmann. Due to Carol’s incomplete personality at the beginning, this has a big influence on how she turns out.

The catch is that in order to stay with Carol, the chosen beau must leave the planet and join an alien race.

For fun, I asked my husband what he thought each man would think of that decision.

He replied that since Lambert joined the military to run away, he’s probably still motivated by that desire. Leaving the planet would be the ultimate form of running away for him.

Then my husband said, “Hartmann wouldn’t care, because he’s crazy… and a war criminal.”

Well, when you put it that way…

What the heck am I writing?

About Writing

Musings on MatC

Autumn

I handwrote the Damon/Miranda letters months ago to feel more in character, and now I’m running into the problem of never being in the mood to transcribe them.

And here I had been fantasizing about posting two a week. Ha. Ha. I’m such a slacker.

I’m going to bluntly tell you right now, I don’t know how to end the letters. I don’t particularly want to write nine years of Miranda and Damon writing each other back and forth, but I would like to include the resolution at the end.

I’m probably going to have to switch over to third-person narration for the finale.

It will be epic and beautiful. Reduce you to tears, and all that jazz. So A-MAY-ZIIING.

My husband pointed out that their story is pretty far outside of the usual romance genre formula — but I’m good at being offbeat and weird.

It’s ‘normal’ that I struggle the most with.

Considering that I’ve never really lived ‘normal.’

Just wait until I start posting the Carol/Hartmann stuff I’ve been writing, lmao.

About Writing

Mastering Concise Writing for Better Stories

Autumn

When you’re a writer, there’s an unspoken pressure to describe things poetically — probably because no one ever says, “I love how concise and to-the-point all the descriptions are!” when they talk about their favorite novel.

Oftentimes, that pressure turns into purple prose, which is laborious and awful. Most readers will skip over purple prose rather than slog through it.

Some people are naturally more poetic than others, and can effortlessly pull metaphors and similes out of their mind. Me? I’m not. I’m a concise and to-the-point sort of person.

But thankfully, the real world is pretty awesome without all of them fancy descriptions, and you can still create an immersive scene without resorting to purple prose.

Step one: See the world.
I mean, really see it. Internalize it. Notice the small things that are easy to miss, and use ALL of your senses. Pay attention to how it makes you feel.

Step two: Write what you see.
Use the language that comes naturally to you. A sense of vividness comes from including those small details, such as smell or sounds.

Storm clouds rolled in as the sun was setting. The sky turned from gray to a pale gold, with rosy patches intermixing with the darkness of the clouds, but the wind was warm and dry without any hint of rain. Still, it whipped at my clothes and hair, and brought with it the scent of brine from the Great Salt Lake, which was enough to send a thrill pulsing through me.

About Writing

How to Improve Abrupt Transitions in Writing

Autumn

I’ve seen it around writing communities that you should never use “suddenly” or it’s synonyms to describe something happening abruptly — instead you should just jump in and have it happen.

ROCKS FALL AND EVERYONE DIES!!!!111one

…

I strongly disagree.

As a writer, you are telling your story to an audience.

While events might take the characters by surprise, sometimes it’s more polite to refrain from punching the reader in the face with a jarring transition.

Words like, “suddenly,” “unexpectedly,” “abruptly,” etc, slow down the transition into the new event, and make it easier to mentally process. So, when you think that the new event comes on too roughly, go ahead and throw those words in. Don’t let random people on the internet tell you otherwise.

Use your own judgment.

Picture not remotely related.