Category: About Writing

About Writing

Realistic romance

Autumn

I read a couple of creative writing articles on “how to write realistic romance” that essentially boiled down to knocking “insta-romances.”

As a hopeless romantic myself, I’m a firm believer in love-at-first-sight. I knew that I had found forever the moment I met my husband (told him so, too), we eloped shortly afterward, and ten years later the passion is still going strong. So, don’t lecture me on what doesn’t count as realistic!

Love is like magic: it has to be believed in and practiced in order to have an effect.

My number one source of knowledge for the romance in my stories comes from my own experiences, and I can’t imagine getting any more realistic than real life. That includes love-at-first-sight, which just so happens to be my favorite.

Just because I’m outside of the majority doesn’t mean that my life and marriage are impossible or doomed to fail, and I don’t write stories to express the norms that I don’t belong to.

And given that the marriage rate is at a record low, I don’t believe that people know as much about romance as they think they do.

So I’m going to do what I’ve always done, and ignore what everyone else says about romance, even if I earn criticism for it.

About Writing

My current WIP

Autumn

I’ve been working on the rough draft of my WIP for about ten months now. I started it when my youngest was still a newborn, so progress was very slow in the beginning. I even lamented that my main characters had been on their first date for weeks, and I was ready for it to hurry up and be over with.

For the past three months, I’ve been working on it every day. My realistic goal is a mere 400 words, though occasionally everything works out nicely and I get down about 1000. Progress is progress.

This is also the longest I’ve ever spent on a rough draft.

I’ve been enjoying it quite a bit. I like the extra time I’ve spent conversing with my characters, and the months spent day dreaming about their lives while washing dishes or folding laundry. I’ve grown very fond of these characters, and I haven’t become the slightest bit bored with the story yet. That’s a good sign.

I’m confident that the rewrite will go smoothly. Whenever I get to it. Ha ha.

About Writing

Dvorak

Autumn

If you don’t know what keyboard maps are, then you’re using QWERTY. The name comes from the top row of letters above your left hand.

QWERTY was originally designed in the late 1800s, and became the popular choice for typewriters. Its popularity was carried over into the computer era, and it’s now the default for literally everything.

The thing is, QWERTY was designed for typewriters. Typing too fast on a mechanical typewriter can jam the machine, so one of the design features of QWERTY is that it intentionally slows down how fast most people can get their fingers flying. Computers, on the other hand (snerk), don’t care.

Writing involves a lot of typing as an unavoidable part of the process, so in addition to typing speed, problems like carpal tunnel deserve some concern for writers. QWERTY is not the best option for heavy typing.

There are several options out there that were designed specifically for computers with the goal of increasing speed while decreasing fatigue. Personally, I use Dvorak.

It takes some getting used to, but once you learn a new keyboard map like Dvorak, it’s much easier to type faster with fewer typos. The first thing that I noticed is that my hands don’t have to move all around the keyboard just to have a mundane conversation. Occasionally, if a typo does slip through, it confuses others how I managed to hit ‘p’ instead of the ‘y’. I can also recognize other Dvorak users through their typos.

Yes, I know this is boring, dry, computer nerd territory, but I happen to think this is an important topic for writers. Go ahead and give it a shot. At the very least, no one else will be able to use your laptop.

About Writing

Sex Scenes

Autumn

Because I write romance, they’re inevitable.

As a reader, I tend to skip over sex scenes in books. Truth be told, I find them boring. Society has been so over-saturated with sex, that whenever another scene pops up, I can’t help but think of the quote from Yugioh Abridged, “Sex isn’t sexy anymore.” Most of the time, I’m not sure how those scenes contribute to the plot, and skipping them has no negative effects on my experience of the novel.

As a writer, my current WIP has a fair amount of sex in it, because marriage and babies are a huge part of the story.

I prefer to take an abstract view, and focus on the emotional aspect of it. Strangers meet on Tinder all the time, but deeply in love soulmates melding into one; now that’s something different. I don’t want to make my readers horny, but to fill them with butterflies and giggles; there are already more than enough resources for the latter.

Society has done a lot to divorce love from sex, to the point where a lot of people believe that the two not only have nothing to do with each other, but can be detrimental to each other as well.  I hope to illustrate that the two can be beautifully intertwined.

About Writing

Catharsis

Autumn

Once, during a particularly stressful point in my life, I decided to get drunk. I chose an evening when I was alone and not likely to be disturbed, and settled in with my favorite bottles. After four shots of sugary liqueurs, my stomach called it quits.

I spent the rest of the evening hunched over the toilet.

I wasn’t miserable at all. It actually felt cathartic, to purge out all of the sorrows that I had endured in such a dramatic fashion. It was the only time I’ve ever experienced peace while vomiting.

Now, on those good days, when I can crank out over a thousand words in a comparatively short time, feel the same way: a cathartic purge. Those days help give me serenity and sanity with everything that follows.

Those days keep me writing.

About Writing

On Real People

Autumn

I don’t base any of my characters off of real people, because, frankly, everyone I know is either so normal that it isn’t worth it, or so out there that I wouldn’t know how.

The thing about normal is that once you’ve met one, you’ve met them all. I already know what normal people think about every subject, because they all think and do the same things (quite deliberately, too). Hence, the whole normal part. If I write a normal character, he’s going to be based on the conglomerate of normal behaviors, rather than any specific individual.

Then there are the weirdos, who have wild anecdotes and even wilder beliefs. These are the people who are fun to talk to, because I don’t know what they’ll say or do next. That unpredictable element also makes them impossible to write, because I don’t know what they’ll say or do next. Can’t write what I don’t know.

All of my fictional characters are just that: fictional. I draw heavily from my personal study of psychology, but I never have any specific people in mind.

.

.

.

hqfsa

About Writing

The Hopeless Romantic’s Guide to Writing Captivating Characters

Autumn

My Venus is in Pisces, which is the astrological way of saying that I’m the quintessential hopeless romantic. This was not a personality trait of mine that was ever supported during my formative years, and as a teenager I was frequently warned that I was setting myself up for disappointment; I was also told that I shouldn’t expect to get married.

When I talk about romance, I mean the earth-shattering, butterfly-inducing, dizzying, elevating, whirlwind of excitement sort. The kind that we’re constantly told doesn’t exist. That kind.

A major motivation behind reading is to enjoy stories that I can’t hear by simply talking to the neighbors (even if they are sordid and juicy). I like stories that are larger than life and inspirational; I just can’t find books like that.

Most romance novels are about an attractive, powerful, rich guy, and since I frequently indulge in that fantasy myself as a writer, I’m not going to knock it. It’s obvious why she would fall for him, but why does he fall for her? The heroines range from mediocre to psychotic harpies; with heavy heapings of selfishness on top.

That question, ‘Why does he fall for her?’ is often left unanswered, and that kills every chance of deeply capturing the spirit of romance. If I hate the heroine, I’m not going to empathize if she captures the attention of Mr. Mega Hunk. I usually declare, “This book is stupid!” and give it a bad review on Amazon. No vicarious butterflies, no point in reading.

When I write my female characters, I write them as someone that I could fall in love with myself, and I have zero interest in Anastasias or Bellas. Perhaps I relate to novels in the wrong sort of way, but I like to think that’s what differentiates me from the Mary-Sues.

My hope is that if I write a scene that gives me butterflies, others will experience that as well when they read it.

I am a hopeless romantic, after all.

About Writing

Creating Dynamic Characters: Balancing Depth and Archetypes

Autumn

No one wants to read a novel where half of the characters could be replaced with cardboard cutouts and have no effect on the story, yet so many authors struggle with that very thing; even professional ones. We all know the criticisms of wooden and flat characters who never develop, but what to do about it is not so obvious.

I can tell you though, the answer is probably not found by playing 20 questions with character sheets. You’re writing a person, not a profile.

Me? I turn to nonfiction.

One of my favorite books is Chakras and Their Archetypes by Ambika Wauters, which I highly recommend. It gives a good breakdown of dysfunctional personality types, then contrasts it against what the strong, functional personality looks like. While a person may be weak in one area, they are likely going to be strong in another.

I think that something writers forget is to make their characters internally balanced in some way. Joe may be a maniac bent on power, but he fixes up injured birds in his backyard. Throw in some exposition about the bird bath owned by Mrs. Roberts, who always fed him cookies after his dad beat him up, and the characterization practically writes itself. Why is he bent on power? He hated being helpless and hurt, and thinks that it will protect him. Why does he help injured birds? Because he secretly relates to them, and thinks about the good that Mrs. Roberts had in his life, even if it was just a tiny part. Joe isn’t bad, he’s just badly damaged. Maybe he’ll find redemption, maybe not.

Hey, that wasn’t hard at all.

Archetypes are useful tools. Personally, I think they are a little too one-dimensional to base a character entirely off of one archetype, but combine a few in different areas (a rebel with people, but a caregiver to animals), and you can build some unique and dynamic characters.

 

37c91f41f21099b03149879c39b66d23

About Writing

Fantasy

Autumn

Fantasy is one of those umbrella genres that has about as many subcategories as you can imagine. Typically, when I tell people that I enjoy reading fantasy novels the best, the immediate response is, “Like, Lord of the Rings and Harry Potter?”

No.

Not at all.

As a kid, I burned through the Chronicles of Narnia and the Redwall series as fast as I could get my hands on them. As an adult, I tend toward books that are more esoteric in nature. I also, for whatever reason, have a weak spot for punk urban fantasy, as long as there are fairies involved.

I feel that I should mention that Lovecraft is a god in my eyes, and while he is categorized as horror, I adore anything that can be described as ‘Lovecraftian’ (*cough*Stranger Things*cough*).

My foray into epic medieval fantasy actually put me off reading all together for awhile. I’m just not a swords ‘n sorcery sort of girl.

Maybe, to people who never read fantasy novels, pointing out the variations in the genre seems geeky and arbitrary, but those differences make … well, all the difference. Harry Potter fans aren’t the same as Game of Thrones fans.

story_time_by_alectorfencer-d5h7ntv

About Writing

Music and Writing

Autumn

For the past several months, I’ve been working on the rough draft of a new novel, and for the past several months, I’ve been listening to Kamelot on repeat. Specifically, the song, “The Last Day of Sunlight” (which as far as I can tell has not been posted YouTube).

When my husband commented on it, I muttered vaguely about how that particular song “kept the channel open” for writing my novel.

Music is a powerful tool for putting one in a specific mindset for writing. Each story has a different “feeling” about it, and finding a song that suits that “feeling” is often a powerful way of tuning in to inspiration and creativity. I don’t know if this is something I can explain accurately, but I’m certain that those who have experienced it know exactly what I’m talking about.

Often, the earliest stages of a novel involve also finding the music that fits the story, to compose the playlist that will sustain the channel of creativity for the duration of writing. Then, I will listen to that playlist on repeat, to the exclusion of pretty much everything else.

Even if it does start to wear on everyone I live with.

Thankfully, my husband understands.