About Writing

Realistic romance

I read a couple of creative writing articles on “how to write realistic romance” that essentially boiled down to knocking “insta-romances.”

As a hopeless romantic myself, I’m a firm believer in love-at-first-sight. I knew that I had found forever the moment I met my husband (told him so, too), we eloped shortly afterward, and ten years later the passion is still going strong. So, don’t lecture me on what doesn’t count as realistic!

Love is like magic: it has to be believed in and practiced in order to have an effect.

My number one source of knowledge for the romance in my stories comes from my own experiences, and I can’t imagine getting any more realistic than real life. That includes love-at-first-sight, which just so happens to be my favorite.

Just because I’m outside of the majority doesn’t mean that my life and marriage are impossible or doomed to fail, and I don’t write stories to express the norms that I don’t belong to.

And given that the marriage rate is at a record low, I don’t believe that people know as much about romance as they think they do.

So I’m going to do what I’ve always done, and ignore what everyone else says about romance, even if I earn criticism for it.

About Writing

My current WIP

I’ve been working on the rough draft of my WIP for about ten months now. I started it when my youngest was still a newborn, so progress was very slow in the beginning. I even lamented that my main characters had been on their first date for weeks, and I was ready for it to hurry up and be over with.

For the past three months, I’ve been working on it every day. My realistic goal is a mere 400 words, though occasionally everything works out nicely and I get down about 1000. Progress is progress.

This is also the longest I’ve ever spent on a rough draft.

I’ve been enjoying it quite a bit. I like the extra time I’ve spent conversing with my characters, and the months spent day dreaming about their lives while washing dishes or folding laundry. I’ve grown very fond of these characters, and I haven’t become the slightest bit bored with the story yet. That’s a good sign.

I’m confident that the rewrite will go smoothly. Whenever I get to it. Ha ha.

About Writing

Dvorak

If you don’t know what keyboard maps are, then you’re using QWERTY. The name comes from the top row of letters above your left hand.

QWERTY was originally designed in the late 1800s, and became the popular choice for typewriters. Its popularity was carried over into the computer era, and it’s now the default for literally everything.

The thing is, QWERTY was designed for typewriters. Typing too fast on a mechanical typewriter can jam the machine, so one of the design features of QWERTY is that it intentionally slows down how fast most people can get their fingers flying. Computers, on the other hand (snerk), don’t care.

Writing involves a lot of typing as an unavoidable part of the process, so in addition to typing speed, problems like carpal tunnel deserve some concern for writers. QWERTY is not the best option for heavy typing.

There are several options out there that were designed specifically for computers with the goal of increasing speed while decreasing fatigue. Personally, I use Dvorak.

It takes some getting used to, but once you learn a new keyboard map like Dvorak, it’s much easier to type faster with fewer typos. The first thing that I noticed is that my hands don’t have to move all around the keyboard just to have a mundane conversation. Occasionally, if a typo does slip through, it confuses others how I managed to hit ‘p’ instead of the ‘y’. I can also recognize other Dvorak users through their typos.

Yes, I know this is boring, dry, computer nerd territory, but I happen to think this is an important topic for writers. Go ahead and give it a shot. At the very least, no one else will be able to use your laptop.

About Writing

Sex Scenes

Because I write romance, they’re inevitable.

As a reader, I tend to skip over sex scenes in books. Truth be told, I find them boring. Society has been so over-saturated with sex, that whenever another scene pops up, I can’t help but think of the quote from Yugioh Abridged, “Sex isn’t sexy anymore.” Most of the time, I’m not sure how those scenes contribute to the plot, and skipping them has no negative effects on my experience of the novel.

As a writer, my current WIP has a fair amount of sex in it, because marriage and babies are a huge part of the story.

I prefer to take an abstract view, and focus on the emotional aspect of it. Strangers meet on Tinder all the time, but deeply in love soulmates melding into one; now that’s something different. I don’t want to make my readers horny, but to fill them with butterflies and giggles; there are already more than enough resources for the latter.

Society has done a lot to divorce love from sex, to the point where a lot of people believe that the two not only have nothing to do with each other, but can be detrimental to each other as well.  I hope to illustrate that the two can be beautifully intertwined.

About Me

The practicality of popularity

While mega popularity is a fun daydream, in practicality, I don’t think that I’d enjoy it at all.  Having people read my books just because everyone else is reading them feels rather antithetical to who I am as a person. It’d be a great way to be completely erased.

Then, of course, there are always the ones who feel obligated to create entire websites devoted to tearing apart your novels and proving that you are a bad writer after all. The harshest part is, those websites are usually right, too.

I’ve dedicated a lot of time to practice and research with my writing, and I try very hard to produce quality; but ultimately, I chose to be a wife and mother first. I still have plenty of sensitive feelings, and stumbling across the wrong criticism at the wrong time could hurt deeply. I’m just doing my thing to express my soul, and I just want to live my life with my husband and kids.

Obscurity is safe and comfortable.

About Me

Sameness in ideas

Like most writers, I have several ideas on the back burner in my mind, but if I reduce them all to a one-sentence summary, I start to wonder if I really have just one idea in different clothes.

On one hand, readers like to know what to expect from an author. Sometimes, we really want the same core concept dressed up in different colors. There are plenty of professionals who churn out a gazillion books that are all fundamentally the same, and they make a good living doing it.

But am *I* like that?

I care about free creative expression, first and foremost for myself. Is the evolution of my mind destined toward sameness forever and ever? Do I even make any sense?

Will I eventually grow bored of Mr. Perfect marrying Ms. Beautiful? Or am I too enamored with the simplicity of love and family to ever grow tired of it?

I’ve had a fairly tumultuous life, so enjoying stability feels a bit weird to me. Perhaps I was meant to land in this wonderful place, or perhaps I still have more stormy weather to endure while I continue to evolve further.

About Writing

On Real People

I don’t base any of my characters off of real people, because, frankly, everyone I know is either so normal that it isn’t worth it, or so out there that I wouldn’t know how.

The thing about normal is that once you’ve met one, you’ve met them all. I already know what normal people think about every subject, because they all think and do the same things (quite deliberately, too). Hence, the whole normal part. If I write a normal character, he’s going to be based on the conglomerate of normal behaviors, rather than any specific individual.

Then there are the weirdos, who have wild anecdotes and even wilder beliefs. These are the people who are fun to talk to, because I don’t know what they’ll say or do next. That unpredictable element also makes them impossible to write, because I don’t know what they’ll say or do next. Can’t write what I don’t know.

All of my fictional characters are just that: fictional. I draw heavily from my personal study of psychology, but I never have any specific people in mind.

.

.

.

hqfsa

About Writing

The Hopeless Romantic’s Guide to Writing Captivating Characters

My Venus is in Pisces, which is the astrological way of saying that I’m the quintessential hopeless romantic. This was not a personality trait of mine that was ever supported during my formative years, and as a teenager I was frequently warned that I was setting myself up for disappointment; I was also told that I shouldn’t expect to get married.

When I talk about romance, I mean the earth-shattering, butterfly-inducing, dizzying, elevating, whirlwind of excitement sort. The kind that we’re constantly told doesn’t exist. That kind.

A major motivation behind reading is to enjoy stories that I can’t hear by simply talking to the neighbors (even if they are sordid and juicy). I like stories that are larger than life and inspirational; I just can’t find books like that.

Most romance novels are about an attractive, powerful, rich guy, and since I frequently indulge in that fantasy myself as a writer, I’m not going to knock it. It’s obvious why she would fall for him, but why does he fall for her? The heroines range from mediocre to psychotic harpies; with heavy heapings of selfishness on top.

That question, ‘Why does he fall for her?’ is often left unanswered, and that kills every chance of deeply capturing the spirit of romance. If I hate the heroine, I’m not going to empathize if she captures the attention of Mr. Mega Hunk. I usually declare, “This book is stupid!” and give it a bad review on Amazon. No vicarious butterflies, no point in reading.

When I write my female characters, I write them as someone that I could fall in love with myself, and I have zero interest in Anastasias or Bellas. Perhaps I relate to novels in the wrong sort of way, but I like to think that’s what differentiates me from the Mary-Sues.

My hope is that if I write a scene that gives me butterflies, others will experience that as well when they read it.

I am a hopeless romantic, after all.

About Me

Facebook

[////]=I quit Facebook completely almost two years ago.

(^ Baby help. I didn’t notice it until several hours after posting.)

I created my account as a teenager because it was the cool thing to do (back when you needed to have a school e-mail address to sign up), then over the years that followed it  mutated into a sense of obligation. That whole, “I need to keep people up-to-date on my life,” thang.

Facebook was never a big source of dopamine addiction for me. I was never viewed as being trendy, so instead I mostly felt the anxiety of not being ‘like’-able enough for anyone. But, you know, I was obligated, even though I grew to hate it.

Then the summer of 2017 happened. As I contemplated posting about personal events, I thought about how stupid it was to feel enslaved to people who were never going to see or talk to me again. And why was I keeping up on their lives anyway? They never cared about me before Facebook came along. You know what? Screw them all.

I haven’t looked at Facebook since.

I also highly recommend quitting social media to everyone. Doing so had a surprisingly beneficial effect on my life, even though I never considered myself much of a user in the first place.

So…

This year I published a book on Kindle. I’m not terribly concerned about making money off of my writing, I just want to connect with readers (you know, the peeps who appreciate the way I think). Since I have four small children, I don’t want to do anything that intrudes on my life too much — motherhood comes first above all else for me, and kids are time-consuming. I confess that the thought of Facebook has crossed my mind as something easy.

But I swore never again, and I meant it.

Not to mention, I’m not going to find readers on Facebook, considering that I, as myself, did not enjoy any sort of popularity on the site. Not the right crowd.

I haven’t the foggiest if I have any chance of finding anyone with my self-imposed restrictions, but hey, I’ve never been known to be conventional. The important part is, I still have time for homeschooling and baking cornbread.

At the end of my own life story, I want to say that I kept myself.

About Me

Real Life

It always feels a bit strange when I draw from my real life with my stories. I never include the Big Stuff; truth be told, I have a possessiveness over my experiences that lends itself towards secretiveness. Barriers, and all that.

Hey, if I was perfectly well-adjusted, I wouldn’t be a writer!

Often, I’ll be out and about, see some curtains that I think are beyond gorgeous, and make a mental note to use them the next time I ever need to describe curtains. Is it deep? Not remotely. At the very least, reading my books will give you a good idea of my tastes in fashion and home decor.

You will not, however, get any sort of autobiography about my life.

Barriers, and all that.

White_Mask_Unveiling.jpg