About Writing

Alice & Alicia

Lately I’ve been devoting most of my free time to working on Alice and the Warden, and I haven’t been putting much energy into blogging — reading or writing. Since I consider writing fiction to be my strongest talent, I’m at peace with the idea of posting a new story section once a week and spending the rest of my time offline.

Totally not dead. Not snubbing anyone. Not bored and on the verge of disappearing. I’m just entering my third trimester, and feeling more introverted than usual. Still completely enamored with storytelling.

I do want to say this, however, in regards to Alice and the Warden:

I am aware that I named the baby Alicia.

I know that spoken out loud, Alice and Alicia are pronounced very differently, but in written form we’re merely swapping an ‘e’ for an ‘ia’.

I know that this can get visually confusing.

In fact, I even had an argument with Alice over it (yes, my own fictional character), and pointed out that in a story that is intended to be read, it would be easier if we named the baby something else. I was promptly informed that either I write the story as it comes to me, or I can forget writing the story at all.

So, I apologize if I accidentally type ‘Alice’ when I meant ‘Alicia’ (and vice versa). I’m doing my best to keep my brain and fingers on the correct course.

About Writing, The Black Magus

Title Reveal for the latest novel from Autumn Rain (OMG!!!)

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About Writing

Lost Whimsy

Lately YouTube has been recommending videos about ‘The Witcher’ to me (totally didn’t watch ’em).

It’s a title that I’ve known for several years because I dabble in video games, but it’s not something that I’ve ever been personally interested in. Basically, I know enough to understand the parody reference in ‘Graveyard Keeper’, but I’ve never considered playing ‘The Witcher’ myself, let alone reading any books.

I assumed that the title had been made into a movie or something, and once again dumped it into my “don’t care” bin.

The other day my husband and I decided to watch an episode of ‘Sherlock’, so we ventured outside of Netflix Kids for the first time since . . . ‘Stranger Things 3’ came out. Lo and behold, there was a giant advertisement for ‘The Witcher’! Mystery solved, it’s a Netflix Original.

Instead of watching ‘Sherlock’, I launched into a rant: “You know what I really hate? The fact that the mass media treats the fantasy genre like its synonymous with dark, gritty violence.”

Seriously.

The Chronicles of Narnia and the Hobbit have been reduced down to endless war scenes in their latest Hollywood remakes. Heck, even Twilight and Harry Potter end with drawn out battle scenes. All of the online Originals seem intent on portraying the most graphic violence they can. Game of Thrones is . . . what it is.

I miss the old fantasy movies, where everything is covered in glitter, unlikely characters protect babies, True Love conquers all, and David Bowie serenades a wide-eyed Jennifer Connelly while she’s wearing the most beautiful ballgown ever created.

I miss the whimsy that fantasy used to represent.

My umbrage isn’t even ‘for the children.’ It’s for me. I grew up in a world full of wars, mass shootings, terrorist attacks, and endless news stories about people dying in horrific ways. There’s only so much a person should be expected to take, you know? I’ve reached the point where I really want to escape with my escapism. I don’t want the endless reminders of how dark the real world can be. I don’t want to watch graphic violence and death. Enough is enough.

I want to laugh. I want to feel inspired. I want to swoon over how visually pretty that scene was. I want something to be excited about. I want Jennifer Connelly’s ballgown.

And I’m a fantasy geek, so I want it wrapped up with fairies and magic. Is that really too much to ask?

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Almost there?

And just like that, the rewrite is done.

Time for more editing and proofreading, LAWL.

The bulk of the hard work is finished, and now I get to sit back and experience my novel from the perspective of a reader rather than a writer, with mostly nitpicky changes rather than anything major. It’ll be fun.

And

Very shortly, I will start promoting my novel instead of being so darned secretive about it.

Exciting!

About Writing

New Decade

Since it’s a new decade, I have been thinking a lot about what I want out of the next ten years. The themes that kept me occupied during the 2010’s are (hopefully) over and done with, and at this point I feel established enough as a wife and mother that I don’t need to wonder what the heck I’m doing anymore.

I definitely want to write more fiction. I would very much enjoy publishing a new book every year, as well as writing more novelettes — heaven knows it would enable me to get more of my creative ideas out there, instead of having them perpetually on the back burner while I focus on bigger projects. Bonus: I’m more comfortable publishing novelettes as I write them, as the shorter length makes them more manageable and less prone to “I changed my mind.”

I’ve always wanted to be a writer, and I feel that this is the decade to really put myself out there. I’m not going to expect instant results, but hopefully by the time 2030 rolls around, I’ll have an established audience for my stories.

I’m going to make the most I can out of the 2020’s.

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About Writing

Inspiration and Blocks

The other night I had a dream that can be best summarized as a thoroughly awesome expansion of my Dragon King writing prompt story. The dream had a rich fairy tale atmosphere, and plenty of back story to really get the imagination going. As soon as I was up, I pulled out my binder with the intention of writing a prologue to lock in the idea — and yes, I was going to share it too.

The best I could manage was a rough outline.

Le sigh.

At the very least, the idea is solidly recorded, and eventually one day I will transform it into a proper story. But for now, I have nothing sharable. In all likelihood, it will be about five or so more months before I return to posting any short stories or novelettes. It’s honestly a bit disheartening to feel like that part of my brain is shut off for the moment.

I’m thankful that the first draft of my novel is finished, and I’m editing/rewriting rather than trying to come up with sentences from scratch. On the bright side, I won’t have any new ideas distracting me from finishing it. Just fatigue, lol.

So far I’m on track for finishing by the end of this month, but I’ve also caught a bad case of the gremlins, so fingers crossed and knock on wood. Maybe I should buy a second flash drive to save more back up copies . . . just in case.

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Back to writing

Now that the holidays are (mostly) over, my delusion is that I’ll be able to jump back into writing and finally finish that novel I’ve been working on for the past 18 months. If I religiously devote just an hour a day, I should have the rewrite done by the end of January.

You know, provided that the sky doesn’t randomly open up and start raining killer sharks or anything like that. Life knows how to be a bitch, so I’m always reticent to make any sort of announcements about the future, only to follow up with a “Lol, jk.” I guess this reflects how many killer sharks I’ve dealt with over the last umpteen years.

But anyway, tentatively speaking, I should start “promoting” in February, and let slip what all my vague references were about all along. That way, this novel can be over with and out of my hair so I can have my new baby in peace.

And start my next novel during all those hours I’ll be off my feet with a newborn. What can I say? My mind is always brimming with stories to tell, and sleep deprivation is a fantastic channel for inspiration, lol.

About Writing

Female Characters

Female characters tend to kill novels for me.

I think there was a convention some years ago, during which it was decided that there was only one acceptable personality type for all women forever, and it was to be: “independent and feisty.”

So it doesn’t really matter what genre you pick up, the main female character will inevitably be “independent and feisty.” And just like all the others, she’ll insist that she isn’t anything like all of the others. Dunning-Kruger.

And in a giant sea of endless independence and feisty-ness, the attributes lose all meaning and deteriorate down to a simple, “Wow, she’s a bitch.”

There wouldn’t be anything wrong with “feisty” if one also regularly came across female protagonists that were shy, compassionate, bitter, fanciful, neurotic, etc. Maybe I’m just too avant garde or something, but I really don’t think that women should all be pigeon-holed into one or two word descriptions. Female characters are capable of being more than the “independent and feisty” stereotype. Aren’t we supposed to be breaking out of stereotypes? So why is this one so deeply entrenched in fiction? Where’s the individuality in writing the same characters that everyone else is writing?

But every time I skim through a new book with the thought, “Maybe I’ll enjoy reading this one,” the monotony of endless repetition in female personalities inevitably makes me pass. I want to read about characters who are different; I can go out into the real world if I want conformity and sameness.

About Writing

Lovecraft Quote

The convention of assumed pity spilt mawkishness on his characters, while the myth of an important reality and significant human events and emotions debased all his high fantasy into thin-veiled allegory and cheap social satire. His new novels were successful as his old ones had never been; and because he knew how empty they must be to please an empty herd, he burned them and ceased his writing. They were very graceful novels, in which he urbanely laughed at the dreams he lightly sketched; but he saw that their sophistication had sapped all their life away.


“The Silver Key” by H.P. Lovecraft

About Writing

Pet Peeve

A couple years ago I read Petals on the Wind by V. C. Andrews. I confess that her first book, Flowers in the Attic, is something of a morbid fascination for me, but the sequel was … excessive.

SPOILER: Every man the main character sleeps with conveniently dies at the perfect moment.

I suppose that there was something of a generation gap going on as well, because the incest didn’t bother me at all (it was the only relationship that was actually built on genuine emotional connection), but the pedophilia was extremely disturbing — especially because it was a contributing factor to one of the characters committing suicide — yet all the other characters were like, “Lol, whatev’s.”

ANYway, part of the way through the book the main character has a baby and is left as a single mother, because, you know, every man she sleeps with dies. In her determination to prove her independence, she gets a job and has her younger sister move in with her for daily babysitting.

Then her sister commits suicide and she finds another man to sleep with. All of those normally time consuming things like toddlers and work fade into the background so she can go catting around instead. Childcare and paying the bills? Pshaw! No where near as important as those sex scenes.

This is one of my biggest pet peeves in fiction: when activities that normally require massive amounts of time in the real world are completely ignored with no explanations.

Children in particular are often used as handy little props that disappear when they aren’t required, and as a mom, I find this irksome. In the real world, they are always there, calling for you, following you everywhere you go, watching you poop. Whenever you realize the room is unnaturally quiet, you panic and start yelling for them. THAT is the true nature of children.

As for jobs … it sure would be a fantasy if my husband could take time off whenever the whim struck him, but that would probably get him fired fairly quick. Work takes up enormous amounts of time and energy, and it’s necessary for things like food and shelter. You can’t just decide that you’re bored of it and not suffer any consequences.

Which is why it annoys me so much when fictional characters have it unrealistically easy for no reason — other than those juicy sex scenes I guess.