Pathos

Writing a dark story is turning out to be more of a challenge than I expected.

I have an idealist inside of me that tries to insert insights and epiphanies that would prevent the Traumatic Climax from happening, so I have to pull back and rewrite. The result is that the characters keep coming oh-so-close to redeeming themselves, then turning away and clinging to their dysfunctions.

It’s realistic enough; I’ve watched plenty of people do that in real life.

I’m not the sort of writer than deliberately sets out to manipulate the emotions of readers. The only reason why I’m writing this story at all is because it’s stuck in my head too badly to be ignored, and the only person intended to ride this roller coaster is me. There is no sadistic glee happening behind the scenes.

Perhaps this is a concept that’s difficult to grasp in our society, but I don’t write for money or popularity. I write for me. I write because I gained knowledge too heavy for me to bear, and my childhood hobby became my vessel of expression. I need it to remain artistically pure for the sake of my sanity. That’s why I always pull away from online groups and self-advertising — anything that could influence my writing away from what I need it to be.

Is there anyone out there capable of understanding?

So here I sit, feeling bad that Hartmann is too caught up in self-pity to realize what he’s doing, that Carol’s personality is too weak to resist, and that Lambert’s too checked out to notice. All it takes is one sentence to turn everything around, but I can’t let myself write it until it’s too late.

If this story wasn’t pounding at my head, I wouldn’t be writing it at all.